Nuit de Noël
Of all perfumes, that one that reminds me most of a Northern Christmas isn’t actually Nuit de Noël, but Parfum Sacre. The olfactory connection of Nuit de Noël to Christmas did not reveal itself to me until few days ago. It suddenly dawned on me: Plum pudding and ink!
Nuit de Noël bears the mark of many of the Caron perfumes created by Ernest Daltroff: density, complexity and a vast mystery which is reflected in the seamless connection between the notes. It is not easy to dissect the notes from one another, not to mention categorizing the perfumes.
The dryness of cedar wood is evident at the start, and roses unfold from beneath a dark dress. There is a certain dustiness to it all, as if the perfume was collecting dust for a year before being noticed again. But now that it did, time and age has only improved it. Powderiness is not absent, and in some regards, this perfume is akin to N’Aimez Que Moi in darkness, density and the thread of rose and powder. But what gives Nuit de Noël its distinct character and its important place in the Caron family is Mousse de Saxe.
Apparently, Mousse de saxe accord is what gives many of the Caron scents their dark undercurrent. It is said to include geranium, licorice, leather, iodine and vanillin. In Nuit de Noël, this accord is used in higher proportion to the rest of the composition, making it quite memorable even among the many rose perfumes of its era (not to mention only those from the house of Caron).
Sharing similarities with other powerhouse perfumes, Nuit de Noël is at once rosy, leathery, powdery and sweet. It reminds me of a less sweet, less in-your-face Habanita, a more leathery sister to N’Aimez Que Moi, and an inspiration to daring, feminine yet unsweet rare appearances of present day, such as Agent Provocateur, and even the dry down of Opium Fleur de Shanghai.
The flacon of Nuit de Noël is made of black crystal glass, and looks like a cross between an ink bottle and a hip-flask, adorned with a Charleston-style gold headband. It was said that Nuit de Noël was made for Daltroff’s lover, who loved Christmas. Somehow, I can only envision a very lonely winter night, with Charleston-music playing in a gramophone, and many glasses of red wine and whisky being used up until that lover finally shows up, hours after the family Christmas dinner is over.
While the connection of plum pudding to Christmas is quite obvious, that of ink isn’t. In any case, use Nuit de Noël as an ink for expressing your innermost feelings only when the time is ripe. Otherwise you may need to be dancing more than just one round of Charleston.
Notes: Cedarwood, Rose, Orris, Mousse de Saxe accord (Oakmoss, Licorice, Myrrh, Cedar moss), Vetiver, Sandalwood, Castoreum
*Nuit de Noel poster courtesy of Fashion Era
Other reviews of Nuit de Noël:
Bois de Jasmin
More about the history of Caron